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I Have a Dream
in Chinese

MAYBE... I'M STILL ARRIVING...MAYBE... I ALWAYS WILL BE.

你叫我幫你譯一首德國歌詞my little airport
00:00 / 03:21

I Have a Dream in Chinese

A Play by Irene Fan Yi

Directed by Daisy Mengru Jia

Starring Charlee Ning 宁唯而

Presented by Liquid on Stage

A Yu Theatre Toronto Production

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PLAYWRIGHT'S NOTES

some plays are written to breathe.
when the chest is too full, when the words have nowhere else to go, they turn into a play.
this is one of those.

it comes from confusion, from frustration, from anger, from the quiet weight of being a first gen immigrant girl, moving forward with no rearview mirror.

i hesitated for a long time. writing so close to myself felt almost shameful, as if speaking my own life were an act of ego.
i’m ordinary, i told myself. my feelings are small. my experiences barely register.

but friends read the first draft and said: i see myself here.
they recognized those tiny, awkward, unnamed discomforts — the ones we swallow every day.

and suddenly, i felt lighter. less alone. relieved in a way that‘s hard to explain.

so i’m sharing this moment.

Yu Theatre Toronto is proud to present this work by Irene Yi at the 2026 Ottawa Fringe Festival.

This production will be rehearsed in Toronto and world-premiered in Ottawa.

Venue:
La Nouvelle Scène Studio B
333 King Edward Avenue
Ottawa, Ontario K1N 7M5

Show Times

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SYNOPSIS

I Have a Dream in Chinese is a solo play moving through migration, racialization, and the unstable border between memory and survival. 

I hear a scream.

I’m back in the windowless workplace.

I’m in the chair.

Who are you.

One interrogation after another.

Then I’m standing on the chair, waving a piece of paper, until the chair disappears beneath me.

I’m falling, falling, falling, and then — the sound of the sea.
It is a dream.

Or it is not. 

TEAM

2026 OTTAWA FRINGE

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PLAYWRIGHT

Irene (Fan) Yi is a bilingual playwright, dramaturg, and performer. She holds a BA in English Literature from Wuhan University, an MA in Arts Administration from Indiana University Bloomington, and an MA in Theatre Studies and Dramaturgy from the University of Ottawa. Her work lives between text, sound, projection, and movement, and emerges from sustained engagement with underserved and marginalized communities. She creates interdisciplinary works to examine how systemic violence shapes the body and memory, and to question how power is internalized, how voice is mediated or withheld, and how lives are narrated by others when self-agency is constrained. 
Her recent playwriting projects include I Have a Dream in Chinese, Human Acts, Space Unknown, An Unfinished Portrait of Her, and THE HOTPOT. Her work has been developed or presented through the Advance Theatre Festival, Black Theatre Workshop’s Club Zed Playwright Festival, Yu Theatre Toronto, rice and beans theatre’s Polyphonic Residency. She is currently developing projects with Playwrights’ Workshop Montréal and Digital Development Project. She received an Honourable Mention from the Human Migration Literary Award. Her broader theatre practice includes working as a dramaturg, director, and performer on productions such as The Reaper and The Whale (Davis Shakespeare Festival), The Pillowman (Indiana University Bloomington), and Night, Mother (Wuhan University).

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DIRECTOR

Daisy Mengru Jia is a Toronto-based theatre administrator and producer. She holds an Honours B.A. in Drama from Queen’s University (2024) and a Master of Arts Leadership (2025). She is the co-founder of Yu Theatre, a registered non-profit based in Toronto.
Her producing and directing credits include The Orphan of Zhao, The Bystander Game, A Doll’s House in China, and UnMute (Canadian Stage Residency; Toronto Fringe Festival). Upcoming projects include I Have A Dream in Chinese (Ottawa Fringe, June 19 - 28) and who? hú 狐 (Toronto Fringe, July 2–12). She also co-leads A Doll’s Coven, an arts initiative that empowers communities through performance.
Daisy is passionate about connecting artistic vision with practical, sustainable administration.

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ACTOR / IVY or SONG

Charlee Ning 宁唯而 is a Toronto-based actor, host, and user researcher, originally from Shanxi, with over a decade spent in Vancouver before her cross-country plot twist.
She works across Chinese and English stage productions and short films, often drawn to stories that are equal parts emotional depth and beautifully messy human behaviour. She has led multiple indie projects, including a film that won Best Picture at the Toronto Nollywood Film Festival—something she still tries to play cool about.
Charlee grew up in theatres, raised by grandparents who are both actors, which meant acting was never really a question—just an environment. Add an unhealthy number of movies on top of that, and the outcome was more or less inevitable.
By day, she is a user researcher, professionally asking people why they do what they do. By night (and weekends), she brings those observations to life on stage and screen.
At home, she answers to Miller, her six-year-old bichon with main-character energy, and Lola, her three-year-old cat, who remains unimpressed.

About the Production

Production Development History

I Have a Dream in Chinese participated in Ruby Slippers Theatre’s 2026 Advance Theatre Festival in Vancouver in January 2026. The creative team included playwright Irene Fan Yi, director and dramaturg Daisy Mengru Jia, and performer Huirui Zhang Su. A public reading was held on January 26, 2026, at Studio 103 Recital Hall, 6450 Deer Lake Ave, Burnaby, BC V5G 2J3. 


We would like to express our sincere gratitude to all those who made invaluable efforts and contributions toward bringing this work to the Fringe stage.

Ticketing Policy

All ticketing for this production is managed through the official Ottawa Fringe website. Ticket policies, including sales, exchanges, refunds, and admission terms, are subject to Ottawa Fringe’s official ticketing policy.

Trigger Warning / Content Advisory

This production contains references to racism, xenophobia, political persecution, and emotional trauma, including depictions of state interrogation and pandemic-related grief. The performance also includes loud sounds and strong language. Recommended for audiences ages 14+. This is a bilingual Mandarin-English production, with English surtitles for Chinese-language sections.

Yu Theatre Toronto is a federally incorporated not-for-profit theatre company. All ticket revenue goes directly toward covering the actual costs of rehearsals and performances, including venue rental, insurance, script printing, set and lighting design, and more. We sincerely thank you for purchasing a ticket and supporting both Yu Theatre Toronto and the development of Chinese-context theatre.

 

If you would like to support us further, you can:

  1. Purchase our merchandise at the Front of House

  2. Donate directly to us via this link.

 

In addition, you can also connect with us on social media:

  1. Follow us on Instagram: @yutheatretoronto

  2. Subscribe to our newsletter on our website.

  3. Follow our official Xiaohongshu account: @多伦多虞剧社

  4. Follow our official WeChat Platform: 虞剧社

 

Or you can share your experience with your friends, and we look forward to seeing you again at our next performance or event!

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